Upload by QR
A separate QR per table, on a ready-to-print A4 template. Guests scan and upload without an account.
Couples set up a gallery in a minute and print a QR card for every table. Guests scan, upload what they shot; a live slideshow runs on the venue screen. At the end of the night every frame is in one ZIP.
A separate QR per table, on a ready-to-print A4 template. Guests scan and upload without an account.
Connect slideshow mode to the projector; frames appear on screen as guests upload.
Optionally review every frame before it goes public. Images are re-encoded; EXIF location data is stripped.
Guests leave a note next to their photo. Every frame downloads in original resolution with name and time, as a ZIP.
At every wedding a few hundred photographs are taken by people who are not the photographer, and almost none of them reach the couple. They sit in camera rolls behind a promise to send them later. The ones that do arrive turn up across a dozen chat threads over the following fortnight, recompressed to a quarter of their size by whichever messaging app carried them.
ÖnemliGün exists to collect those pictures at the moment they are taken, in the room, while the person who took them is still standing there. Every other decision in the product follows from that one constraint: whatever has to happen must fit inside the few seconds a guest is willing to give it.
Every table gets its own QR code, printed from a ready A4 template. Generating one code for the whole event would have been simpler and would have thrown away the only context a wedding gallery gets for free: who was sitting where.
Uploads arrive tagged with the table they came from, so the gallery can be read by the room rather than by upload order. When you go looking for the two photographs your uncle took, you look at his table.
A guest holds up a phone at a wedding for about four seconds before giving up. Anything that asks them to install an application or create an account inside that window will not be used, however good the gallery turns out to be afterwards.
So there is neither. Scanning opens a page, choosing pictures uploads them, and that is the entire interaction. The couple set the gallery up and print the table cards beforehand; the guests never meet a setup step at all.
Photos and video are downscaled on the phone before they are sent. A current handset produces very large files, and a hall full of people pushing full-size originals through one saturated mobile cell is the failure mode that ends a live gallery ten minutes after the speeches.
Compressing on the device means an upload finishes while the guest is still holding the phone, rather than stalling in the background until they walk out of range. Video is accepted as MP4, MOV and WebM, so a recording goes straight from the camera roll without anyone converting anything first.
Images are re-encoded rather than passed straight through, and the EXIF location data that phones write into photographs is stripped in the process. A shared gallery link that quietly carries the coordinates of a family home is not something anyone asked for.
Moderation is a switch, not a policy. Turn the approval queue on and nothing appears until the couple, or somebody they trust with a phone, has looked at it. Leave it off and the gallery is live as people upload. Which one you want depends on the event and on who was invited.
Slideshow mode is built for the projector or display the venue already has. Frames appear as guests upload them, and that changes how the room behaves: once the first photograph goes up on the wall, everyone else works out what the code on the table is for without a single announcement.
It is the part of the product that explains itself during the event instead of before it.
A guest can leave a note beside the photo they upload, which makes the guest book and the gallery the same object rather than a book signed by eleven people and mislaid by the end of the night.
When it is over, everything downloads as a single ZIP at original resolution, with the name, the time and the table recorded against each frame. What the couple keep is an archive on their own disk, not a link that expires into a folder nobody can open in five years.
No. Scanning the QR code opens a page in the phone’s browser. There is nothing to install and no account to create.
Yes — MP4, MOV and WebM. Files are downscaled on the phone before they are sent, so an upload finishes while the guest is still holding it rather than stalling in the background.
Yes, if you turn the approval queue on: nothing reaches the public gallery until it has been reviewed. Left off, the gallery is live as guests upload.
Images are re-encoded and the EXIF location data is stripped, so the gallery link does not carry the coordinates the phone recorded.
Everything downloads as one ZIP at original resolution, with the name, the time and the table recorded for each frame.
Each table gets its own code on a ready-to-print A4 template. Uploads arrive tagged with the table they came from, so the gallery is organised by the room rather than by upload order.
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bilgi@mnethic.comPalandöken, Erzurum